Experimental micro film made during a residency led by Gavin Glover at Teatro del Lavoro in Pinerolo (2023), inspired by the Quay Brothers’ film Crocodile Street. It explores haunting and surrealist visuals examining almost erotic attraction for danger.
In 2023, together with Amy Dyduch, I undertook a two-week residency at Pavillon K, Centre for Performing Arts in Vordingborg (DK), where we began developing 6 x 8 — the early seed of what would later evolve into Les Nuits Troubles. In 2024, the project received support from Arts Council England, allowing us to expand the work through a three-week R&D. Since then, the piece has grown and transformed significantly, finding a new aesthetic and artistic language.
NOS MONSTRES (’our monsters’ in english) began as a body of research with Amy Dyduch in London in 2023, later developed during a micro-cinema residency at Figurteateret in Stamsund, Norway (2024). My focus was on exploring characters born from my imagination, often inspired by recurring childhood and adult nightmares. Initially carried out independently of any specific project, this research now directly feeds into Hors-Champ’s debut show Les Nuits Troubles.
BATTLEFIELD was a multimedia performance project exploring patriarchal violences and pressure of societal norms on bodies & intimacy / sexualities. Research were presented at first Troncho Collective Exhibition at Hackney Wicked Open Studios in 2017 in London (UK).
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